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Abstract Twenty first century film evokes a new topology of the body. Science and technology are the new century’s ‘sovereign power’ which enforces biopolitics through bodies which, by virtue of being seen at their most fundamental level, have become docile surfaces. The film body is at once...
Abstract Many contemporary high quality TV series tend to enable identification with protagonists who engage in morally dubious or outright abject acts. This essay takes Showtime’s series Dexter as a pre-eminent and extreme example of this tendency, and explores how the viewer’s identification...
Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks , which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most...
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