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How is our notion of sound art shaped by the current technological landscape, and what is the role of science and technology in the pursuit of new multidisciplinary works? The author meditates on the topics of sound art, sonification, interactivity and network sciences in order to contextualize...
When the compact disc was introduced in 1982, it was considered the first recording medium to vanish behind the audio information carried by it. Artists nevertheless discovered media-specific features unique to the CD. This paper focuses not so much on sound production (skipping CDs, glitches,...
Milan Adamččiak is a Slovak composer, cellist and musicologist; creator of acoustic objects, installations and unconventional musical instruments; a performer, visual artist and experimental poet. Traditionally trained but influenced by Cagean and Fluxus poetics, he created from the late 1960s...
This article addresses the design of the Blippoo Box, an audio sound generator that operates according to the principles of chaos theory. By designing the Blippoo Box, the artist attempts to bridge a crossover space between abstract (sonic) art, music and artistic craftsmanship. In the hands of...
Low-frequency sound on the cusp of the audible offers the possibility of redefining the way we think about listening to music. As the perception of pitch is lost in very low-frequency sound emissions, an opportunity arises for a different kind of music and a different way of listening. Low...
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