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Abstract In the opera that bears his name, Evgeny Onegin often seems remarkably inconsequential, a “superfluous man” among Russian society and nearly such in his own tale. Critics from Hermann Laroche to Catherine Clément have lamented not only the triviality of Evgeny's character but the...
Abstract Throughout his life Liszt projected diverse identities, which were sometimes embraced by the public, and sometimes questioned. These “contradictions” in his character have been the subject of much confusion and debate, and one aspect in particular still has scholars perplexed: Liszt's...
Abstract Grand opera's love of all-consuming spectacle is evident in its cataclysmic eruptions, explosions, and shipwrecks, its magnificent processions and ceremonies, and its breathtaking reconstructions of sublime landscapes, from Auber's La Muette de Portici (1828), through Halévy's La Juive...
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