1 - 10 of 10 articles
This essay investigates the linguistic play and geopolitical scenarios in the work of Austrian writer Leopold von Sacher-Masoch (author of Venus in Furs and the man who gave his name to “masochism”) and his younger contemporary, the German-Jewish writer Karl Emil Franzos. Both men grew up in the...
When we first encounter the narrator of Austerlitz , he is wandering around the unfamiliar town of Antwerp with, he tells us, “unsicheren Schritten” (1; 9). As well as reflecting the unfamiliarity of the locale, these “uncertain steps” evince a proud modesty characteristic of the classic...
This article is a comparative study of Theodor Adorno and Roland Barthes. These rarely compared thinkers share a profound affinity: their lifelong work on ideology critique proceeds from similar bases, and they each accord preeminence to aesthetic reflection. Their shared insistence on the...
Following the 1988 translation of Roland Barthes's Camera Lucida into Hebrew, Ronit Matalon, an Israeli writer of Egyptian extraction, began interpolating Barthes into her writing, in part through unacknowledged quotations. This essay explores how Camera Lucida “traveled,” as a piece of both...
This essay explores the mutual implication of Shakespeare's Hamlet and Freudian psychoanalysis as works of mourning. More particularly, it takes up how both the play and a series of Freud's writings — from early letters to Fliess to the Interpretation of Dreams to “Mourning and Melancholia” to...
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Sign Up Log In
To subscribe to email alerts, please log in first, or sign up for a DeepDyve account if you don’t already have one.
To get new article updates from a journal on your personalized homepage, please log in first, or sign up for a DeepDyve account if you don’t already have one.